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Work
Working
closely with authors on shaping the politics and poetics of postcolonial
writing. Divided Publishing, Brussels
and London.
Editorial guidance
and the editing of books focused on writing an alternative art history centred in
the Middle East. Salt, Istanbul.
Editing museum
publications and press texts to ensure language reflects a curatorial
approach which fosters revisioning art history and diversifying representation. Museum Ludwig, Cologne.
Editorial support across exhibition texts and catalogue essays for exhibitions centred on the museum becoming more inclusive. Museum of Contemporary Art
Tokyo.
Developing
a consistent and culturally nuance use of language for the establishment of an institution supporting the public with economic literacy. Bern History Museum and the
Swiss National Bank.
Interpretive
writing for contemporary artists focused on material histories and questions of sculpture.
Conceptual
development and editorial management of books accompanying exhibitions representing
women’s voices. Haus der Kulturen der Welt, Berlin.
Co-editor
of two books about the interconnections of contemporary art and the
fallouts of capitalism. Postapocalyptic Self-Reflection, Westphalie, Vienna and Post-apocalyptic Realism, Museum Brandhorst, Munich.
Supporting the
interpretive framework for the exhibition publications and editing
essays and texts exploring postcolonial material histories. documenta 14, Kassel
and Athens.
Residency to develop a book series of critical essays on art. Cité internationale des arts. Co-published
by Te Pātaka Toi Adam Art Gallery and Atlas Projectos.
Guest
curatorship to realise an exhibition and monograph. Portikus, Frankfurt
am Main.